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David Walliams' explosive new claims against BGT bosses

David Walliams has claimed he has suffered suicidal thoughts since being dropped as a judge from Britain's Got Talent, according to court documents. The explosive claims have been documented in the high-profile case with the UK High Court, which began after Walliams was axed from the popular TV show following a leaking of a hot mic conversation. The 52-year-old was unknowingly being recorded when he made <a href="https://oversixty.co.nz/finance/legal/david-walliams-sues-bgt-over-leaked-rant" target="_blank" rel="noopener">vile comments</a> about contestants, and was subsequently asked to leave the show after a decade on the judging panel. Now, Walliams is suing Fremantle Media after they allegedly “recorded, transcribed and retained” private conversations for ten years from Walliams and the other judges on the show. He alleges they collected private and sensitive details of conversations throughout his time on the family favourite series, and he claims fellow judges Simon Cowell, Amanda Holden and Alesha Dixon were monitored the same way by production staff. Walliams, who says he has suffered suicidal thoughts after being cancelled from public life, is seeking £1 million (A$1.9 million) he stood to get from the prime-time ITV show, plus £1.7 million (A$3.25 million) in lost earnings from the last year. He wants an additional £3.4 million (A$6.5 million) covering future losses over at least the next two years, taking the total to £6.1 million (A$11.65 million). In addition he is seeking further unspecified damages for psychiatric harm, distress and upset and the loss of control over his private information and legal costs, which sources say could bring the total up to as much as £10 million (A$19 million). The court documents claim that Walliams was uninvited from an official royal event to read at the Commonwealth Writing Competition with Queen Camilla at Buckingham Palace, after he was dropped from BGT. He said in that time after he left the show, he has received only one new work booking, having “catastrophic results for his reputation and career”. Walliams says he is now fighting “active suicidal thoughts” and has “lost the ability to be funny” amid fears that whatever he says or does will be used against him. In the lengthy court documents, Walliams says the fallout destroyed his “reputation and career” as a comedian, TV personality and children’s author. Image credits: Getty Images

Legal

David Walliams sues BGT over leaked rant

David Walliams is suing Britain's Got Talent over a foul-mouth hot mic rant that was leaked. The former BGT judge is seeking significant damages after show bosses stunned viewers with the announcement he had quit the show in November 2022 after 10 years on the judging panel. The comedian abruptly left the show after a transcript of vile comments he made about contestants while his microphone was on during a filming break was made public. In the leaked transcript he called an elderly gentleman a “c***” three times, and said of another contestant, “She thinks you want to f*** her, but you don’t”. The vulgar remarks were make during an auditions round at the London Palladium in January 2020, and were then leaked to the media. After the transcript was made public, Walliams issued a grovelling apology, while his legal team argued he had never intended for his remarks to be heard by contestants or the public. Despite his apology, Walliams resigned from the show two weeks later. Walliams, who is a hugely popular figure in the UK, filed legal proceedings at London’s High Court last week. The star is accusing Fremantle, the studio behind the ITV talent show, of a data protection breach over the leaked transcript which ultimately ended his decade-long judging career. In a statement issued before he quit, Walliams said, “I would like to apologise to the people I made disrespectful comments about during breaks in filming for Britain’s Got Talent in 2020." “These were private conversations and – like most conversations with friends – were never intended to be shared. Nevertheless, I am sorry.” Image credits: Getty Images

Legal

What does having a ‘good relationship with food’ mean? 4 ways to know if you’ve got one

<a href="https://theconversation.com/profiles/clare-collins-7316">Clare Collins</a>, <a href="https://theconversation.com/institutions/university-of-newcastle-1060">University of Newcastle</a> and <a href="https://theconversation.com/profiles/tracy-burrows-172931">Tracy Burrows</a>, <a href="https://theconversation.com/institutions/university-of-newcastle-1060">University of Newcastle</a> Travelling on a train recently you couldn’t help but overhear two women deep in conversation about a mutual obsession with food, including emotional triggers that pushed them towards chocolate and pizza. They shared feeling guilty about a perceived lack of willpower around food and regularly rummaging through the fridge looking for tasty treats to help soothe emotions. Both lamented not being able to stop and think before eating. Their discussion was a long way from talking about physiological requirements for food to fuel your body and meet essential nutrient needs. Instead, it was highly emotive. It got me thinking about the meaning of a healthy relationship with food, how a person’s eating behaviours develop, and how a “good” relationship can be nurtured. Here’s what a “healthy” food relationship can look like. <h2>What does a ‘good relationship with food’ mean?</h2> You can check whether your relationship with food is “<a href="https://www.rwapsych.com.au/blog/what-does-a-healthy-relationship-with-food-and-eating-look-like/">healthy</a>” by seeing how many items on this list you tick “yes” to. Are you: <ol> <li> in tune with your body cues, meaning you’re aware when you are hungry, when you’re not, and when you’re feeling full? </li> <li> eating appropriate amounts and variety of foods across all food groups, at regular intervals so your nutrient, health and wellbeing needs are met? </li> <li> comfortable eating with others and also eating alone? </li> <li> able to enjoy food, without feelings of guilt or it dominating your life? </li> </ol> If you didn’t get many ticks, you might need to work on improving your relationship with food. <h2>Why does a good relationship with food matter?</h2> A lot of “no” responses indicate you may be using food as a coping mechanism in response to <a href="https://pubmed.ncbi.nlm.nih.gov/36863205/">negative emotions</a>. The problem is this <a href="https://pubmed.ncbi.nlm.nih.gov/36839185/">triggers the brain’s reward centre</a>, meaning although you feel better, this behaviour becomes reinforced, so you are more likely to keep eating in response to negative emotions. Emotional eating and bouts of uncontrolled eating are more likely to be associated with <a href="https://pubmed.ncbi.nlm.nih.gov/36863205">eating disorder symptoms</a> and with having a worse quality diet, including lower intakes of vegetable and higher intakes of nutrient-poor foods. A review of studies on food addiction and mental health found healthy dietary patterns were associated with a lower risk of both disordered eating and <a href="https://pubmed.ncbi.nlm.nih.gov/29368800/">food addiction</a>. Higher intakes of vegetables and fruit were found to be associated with <a href="https://pubmed.ncbi.nlm.nih.gov/35586735/">lower perceived stress</a>, tension, worry and lack of joy in a cohort of more than 8,000 Australian adults. <h2>How to develop a healthy food relationship</h2> There are ways to improve your relationship with food. Here are some tips: 1. keep a ‘food mood’ <a href="https://nomoneynotime.com.au/ebooks-meal-plans-more/nmnt-food-and-mood-diary">diary</a>. Writing down when and where you eat and drink, whom you’re with, what you’re doing, and how all this makes you feel, will give you personal insights into when, what and why you consume the things you do. This helps increase awareness of emotions including stress, anxiety, depression, and factors that influence eating and drinking. 2. reflect on what you wrote in your food mood diary, especially “why” you’re eating when you eat. If reasons include stress, low mood or other emotions, create a distraction list featuring activities such as going for a walk or listening to music, and put it on the fridge, noticeboard or in your phone, so it’s easy to access. 3. practise <a href="https://pubmed.ncbi.nlm.nih.gov/28848310/">mindful eating</a>. This means slowing down so you become very aware of what is happening in your body and mind, moment by moment, when eating and drinking, without making any judgement about your thoughts and feelings. Mindless eating occurs when you eat without thinking at all. Being <a href="https://www.headspace.com/mindfulness/mindful-eating">mindful</a> means taking the time to check whether you really are hungry, or whether it’s “eye” hunger <a href="https://theconversation.com/health-check-six-tips-for-losing-weight-without-fad-diets-52496">triggered by seeing food</a>, “nose” hunger triggered by smells wafting from shops or cafes, “emotional hunger” triggered by feelings, or true, tummy-rumbling hunger. 4. learn about <a href="https://nomoneynotime.com.au/hacks-myths-faqs/healthy-eating-why-caring-about-the-foods-you-eat-is-worth-it">your nutrient needs</a>. Learning why your body needs specific vitamins and minerals and the foods they’re in, rather than just mentally coding food as “good” or “bad”, can help you drop the guilt. Banning “bad” foods makes you want them more, and like them more. Mindfulness can help you gain an <a href="https://pubmed.ncbi.nlm.nih.gov/24035461/">appreciation of foods that are both</a> pleasing and nourishing. 5. focus on getting enjoyment from food. Mindless eating can be reduced by focusing on enjoying food and the pleasure that comes from preparing and sharing food with others. One <a href="https://pubmed.ncbi.nlm.nih.gov/24035461/">intervention</a> for women who had concerns about dieting and weight control used workshops to raise their awareness of food cues that prompt eating, including emotions, or being in places they normally associate with eating, and also sensory aspects of food including taste, touch, smell, sound and texture. It also aimed to instruct them in how to embrace pleasure from social, emotional and cultural aspects of food. The intervention led to a reduction in overeating in response to emotional cues such as sadness and stress. Another <a href="https://pubmed.ncbi.nlm.nih.gov/33347469/">review</a> of 11 intervention studies that promoted eating pleasure and enjoyment found promising results on healthy eating, including better diet quality, healthier portion sizes, healthier food choices and greater liking of healthy foods. Participants also reported healthy food tasted better and got easier to cook more often at home. <h2>Where to get help to improve your relationship with food</h2> A healthy relationship with food also means the absence of <a href="https://www.healthdirect.gov.au/eating-disorders">disordered eating</a>, including binge eating, bulimia and anorexia. If you, or someone you know, shows <a href="https://www.rwapsych.com.au/blog/what-does-a-healthy-relationship-with-food-and-eating-look-like/">signs suggesting disordered eating</a>, such as regularly using restrictive practices to limit food intake, skipping meals, food rituals dictating which foods or combinations to eat at specific times, binge eating, feeling out of control around food, secret eating, inducing vomiting, or use of diet pills, follow up with a GP or health professional. You can get more information from <a href="https://insideoutinstitute.org.au/about-us">InsideOut</a>, an Australian institute for eating disorders. Try their online <a href="https://insideoutinstitute.org.au/for-myself">food relationship “check-up”</a> tool. The <a href="https://butterfly.org.au/">Butterfly Foundation</a> also has specific resources for <a href="https://butterfly.org.au/back-to-school-a-body-image-and-mental-health-guide-for-parents-and-children/">parents</a> and <a href="https://butterfly.org.au/">teachers</a> and a helpline operating from 8am to midnight, seven days a week on 1800 334673.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/202622/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/clare-collins-7316">Clare Collins</a>, Laureate Professor in Nutrition and Dietetics, <a href="https://theconversation.com/institutions/university-of-newcastle-1060">University of Newcastle</a> and <a href="https://theconversation.com/profiles/tracy-burrows-172931">Tracy Burrows</a>, Professor Nutrition and Dietetics, <a href="https://theconversation.com/institutions/university-of-newcastle-1060">University of Newcastle</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/what-does-having-a-good-relationship-with-food-mean-4-ways-to-know-if-youve-got-one-202622">original article</a>.

Food & Wine

Tony Bennett: the timeless visionary who, with a nod to America’s musical heritage, embraced the future

<a href="https://theconversation.com/profiles/jose-valentino-ruiz-1293457">Jose Valentino Ruiz</a>, <a href="https://theconversation.com/institutions/university-of-florida-1392">University of Florida</a> In the history of American popular music, there have been few luminaries as enduring and innovative as Tony Bennett. With a career that spanned almost 80 years, Bennett’s smooth tones, unique phrasing and visionary musical collaborations left an indelible mark on vocal jazz and the recording industry as a whole. That his <a href="https://apnews.com/article/tony-bennett-dies-c3b3a7e2360449fb936a38794c7c3266">death at the age of 96</a> on July 21, 2023, was mourned by artists as varied as <a href="https://twitter.com/KeithUrban/status/1682395658395824133">Keith Urban</a>, <a href="https://twitter.com/OzzyOsbourne/status/1682411338340126720">Ozzy Osbourne</a> and <a href="https://twitter.com/HarryConnickJR?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1682411086656557056%7Ctwgr%5E04a78435a793b5246d7bc19e09529f2b2f0bcfab%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fvariety.com%2F2023%2Fmusic%2Fnews%2Ftony-bennett-elton-john-reaction-tribute-1235676405%2F">Harry Connick Jr.</a> should come as no surprise. Yes, Bennett was a jazz crooner. But if his voice was always a constant – even late into his 80s, way past an age when most other singers have seen their vocal abilities diminish – then his embrace of the contemporary was every bit a facet of Bennett’s appeal. <h2>Vocal innovator</h2> Bennett’s journey is a testament to the power of daring innovation. From the early days of his career in the 1950s to his final recordings in the early 2020s, he fearlessly explored new musical territories, revolutionizing vocal jazz and captivating audiences across generations. His vocal style and phrasing were distinctive and set him apart from other artists of his time. He utilized a delayed or “laid-back” approach to falling on the note, a technique known as “<a href="https://www.musictheoryacademy.com/how-to-read-sheet-music/rubato/">rubato</a>.” This created a sense of anticipation in his phrasing, adding an element of surprise to his performances. Through Bennett’s skilled use of rubato, he was able to play with the tempo and rhythm of a song, bending and stretching musical phrases to evoke a range of emotions. This subtle manipulation of timing gave his songs a natural and conversational quality, making listeners feel as though he was intimately sharing his stories with them. Armed with this silky, playful voice, Bennett found fame fairly early on in his career, delivering jazz standards alongside the likes of Mel Tormé and Nat King Cole. By the mid-1960s, he was being touted by Frank Sinatra as “the best singer in the business.” But his musical style fell out of fashion in the 1970s – a lean period during which Bennett <a href="https://www.washingtonpost.com/history/2023/07/21/tony-bennett-son-life-career-drugs/">almost succumbed to a drug overdose</a>. Then, in the 1990s, Bennett found a new audience and set off a series of collaborations with contemporary musical stars that would become the standard for his later career. No genre of artistry was deemed off-limits for Bennett. “<a href="https://www.tonybennett.com/music-detail.php?id=11">Duets: An American Classic</a>,” released to coincide with his 80th birthday in 2006, saw collaborations with country stars such as k.d. lang and the Dixie Chicks – now known as the Chicks – and soul legend Stevie Wonder, alongside kindred jazz spirits such as Diana Krall. “Duets II,” a 2011 follow-up, saw further explorations with the likes of Aretha Franklin, Queen Latifah, Willie Nelson and Amy Winehouse, in what would become the <a href="https://faroutmagazine.co.uk/amy-winehouse-final-recording-session/">British singer’s last recording</a>. But his cross-generational, cross-genre and cross-cultural appeal is perhaps best exemplified by his <a href="https://www.nytimes.com/2023/07/21/arts/music/tony-bennett-lady-gaga.html">collaborations with Lady Gaga</a>, first on the 2014 Grammy-winning album “Cheek to Cheek.” The recording brought together two artists from different generations, genres and backgrounds, uniting them in a harmonious celebration of jazz classics. The collaboration not only showcased each one’s vocal prowess, but also sent a powerful message about the unifying nature of music. Lady Gaga, a pop artist with avant-garde leanings, might have seemed an unlikely partner for Bennett, the quintessential jazz crooner. Yet their musical chemistry and mutual admiration resulted in an album that mesmerized audiences worldwide. “Cheek to Cheek” effortlessly transcended musical boundaries, while the duo’s magnetic stage presence and undeniable talent enchanted listeners. The successful fusion of jazz and pop encouraged artists to experiment beyond traditional boundaries, leading to more cross-genre projects across the industry – proving that such projects could go beyond one-off novelties, and be profitable at that. <h2>Timeless artistry</h2> Bennett’s embrace of contemporary artists did not mean that he abandoned his own musical self. By blending traditional jazz with contemporary elements, he managed to captivate audiences across generations, appealing to both longtime fans and new listeners. One key aspect of Bennett’s success was his ability to embody the sentiment of old America, reminiscent of artists like Sinatra, Billie Holiday and Louis Armstrong, while infusing contemporary nuances that resonated with the human condition of a more modern era. His approach to music captured both the essence and struggle of America, giving his songs a timeless and universal appeal. Moreover, his voice conveyed familiarity and comfort, akin to listening to a beloved uncle. Bennett’s albums stood out not only for his soulful voice and impeccable delivery but also for the way he drew others from varied musical backgrounds into his world of jazz sensibilities. As a producer, he recognized the importance of nurturing creativity and bringing out the best in artists. Meanwhile, Bennett’s approach to evolving his own sound while preserving its essence sets him apart as an artist. Fearless in his pursuit of innovation, he delved into contemporary musical elements and collaborated with producers to infuse new sonic dimensions into his later albums. The result drew listeners into an <a href="https://www.youtube.com/watch?v=6kNpdLZwetU">intimate and immersive, concert-like acoustic journey</a>. <h2>Depth of emotion</h2> The greats in music have an ability to speak to the human experience. And either in collaboration with others or on his own, Bennett was able to achieve this time and time again. His albums were successful not only due to their technical brilliance and musicality but also because Bennett’s voice conveyed a depth of emotion that transcended barriers of time and culture, touching the hearts of listeners from various backgrounds. There was a universality in his music that made him a beloved and revered artist across the globe. Bennett’s life spanned decades of societal upheavals in the United States. But in his music, listeners could always find beauty in challenging times. And as the 20th- and 21st-century American music industry went through its own revolutions, Bennett’s artistic evolution mirrored the changes, cementing his place as a music icon who defies the boundaries of time and trends.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/210244/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <iframe style="border-radius: 12px;" src="https://open.spotify.com/embed/playlist/2UxxnhUE5YLchYgutxKEbJ?utm_source=generator" width="100%" height="380" frameborder="0" allowfullscreen="allowfullscreen" loading="lazy"></iframe> <a href="https://theconversation.com/profiles/jose-valentino-ruiz-1293457">Jose Valentino Ruiz</a>, Program Director of Music Business & Entrepreneurship, <a href="https://theconversation.com/institutions/university-of-florida-1392">University of Florida</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/tony-bennett-the-timeless-visionary-who-with-a-nod-to-americas-musical-heritage-embraced-the-future-210244">original article</a>.

Music

Got no COVID-19 symptoms? A gene mutation might be the reason

<div class="copy"> A global study has unearthed a possible genetic reason why some people infected with the virus that causes COVID-19 show no symptoms. Human leukocyte antigens – or HLAs – are important genes that support immune function in the human body, particularly in identifying viral pathogens. And a particular variation in the HLA-B complex has been found to at least double the likelihood that a person infected with SARS-CoV-2 will be asymptomatic. For people who inherit a copy of the HLA-B15 variant from one parent, there was a 2.4 times greater chance of avoiding symptoms. Homozygous carriers — born with copies of the variant from each parent — were 8.5 times more likely to avoid symptoms. It’s a somewhat common variant among certain ethnicities – about 1 in 10 people with European ancestry are potential carriers – but having the gene is not a guaranteed protector against coronavirus symptoms. The findings, <a href="https://doi.org/10.1038/s41586-023-06331-x" target="_blank" rel="noreferrer noopener" data-type="URL" data-id="https://doi.org/10.1038/s41586-023-06331-x">published</a> in Nature, have emerged from a joint study between researchers at the University of California San Fransisco and Australian institutions including Latrobe University, Monash University and the QIMR Berghofer Centre. The research came about almost by accident. <div class="in-content-area content-third content-right"> </div> Co-lead authors Professor Stephanie Gras from Latrobe and Jill Hollenbach from UCSF first met at a research conference in May 2022 and pooled their resources to track the association of possible gene variations with COVID-19 symptoms. Their teams narrowed a group of 30,000 people with high-quality HLA data to a cohort of about 1,500 unvaccinated people who tested positive for the virus. They then focussed on five locations of interest in the HLA genes while monitoring the emergence of symptoms to determine which variants, if any, might have a greater linkage to being COVID asymptomatic. “The [SARS-CoV-2] virus gets inside cells and ‘presents’ some small part of the virus on the surface via the HLA molecule,” Gras explains. “Those act as a red flag for T cells. The cell sends the signal to the T cell that it has been infected with the virus, and the T cells get activated and kill that [infected] cell. “HLA-B15 can actually present a small part of the spike protein that is very similar between SARS-CoV-2 and seasonal coronaviruses… [that] circulate every year in the population and give us the common cold during winter most of the time. They share some similarities.” The understanding provides a possible application for future treatments. Now an association between the variant and asymptomatic cases has been identified, the Gras and Hollenbach teams have begun to study the interaction between HLA-B15 and the SARS-CoV-2 spike protein at the atomic level. That research is already underway, including at the Australian Synchrotron at the Australian Nuclear Science and Technology Organisation. “We’re doing atomic-level models of proteins to understand the interaction,” Gras says. “We want to compare the T cells within people who are asymptomatic with HLA-B15 and people who are not asymptomatic with HLA-B15. Actually, HLA-B15 is not a magic bullet, you can have it and still have severe COVID.” Image credits: Getty Images </div> <div id="contributors"> <a href="https://cosmosmagazine.com/health/covid/got-no-covid-19-symptoms-a-gene-mutation-might-be-the-reason/">This article</a> was originally published on <a href="https://cosmosmagazine.com">Cosmos Magazine</a> and was written by <a href="https://cosmosmagazine.com/contributor/matthew-agius">Matthew Ward Agius</a>. </div>

Body

“Devastated”: Britain's Got Talent star dies at 52

Britain’s Got Talent star Paula Moulton has died at 52-years-old. Paula, who was part of the wheelchair dance act Strictly Wheels, became a fan favourite when she appeared as a contestant on the hit show in 2012 with her dance partner Gary Lyness. Her death was announced on the Strictly Wheels Facebook account on Thursday. “We are devastated to announce the sudden passing of our co-founder Paula,” the post began. “Our thoughts are with her family and friends at this extremely sad time. Paula's legacy will always live in our memories from her utter joy of dance.” Although the cause of death has not yet been confirmed, Paula had been struggling with the effects of her battle with the MRSA superbug, which she contracted in 1995 after suffering from pneumonia. The infection left her with nerve damage which impacted her pelvis, lower spine, hips and femurs. Despite this Paula didn’t let it crush her spirit, and alongside her partner Gary, she has achieved a lot over her lifetime. In 2016 the pair launched the charity Strictly Wheels, as part of their mission to raise the profile of wheelchair dancing and promote “Ability not Disability”. In 2018, they ranked eighth in the world in Latin Wheelchair Dance after competing in the World Para Dance competition at IPC Level. Fans have taken to the comment section to share their condolences. “My heart is broken! My deepest condolences to family and friends! She will be missed,” wrote one fan. “Paula Moulton was a wonderful dancer from Great Britain, who will be missed dearly ♡ she was warm and always welcomed newcomers with open arms. This is a huge shock to everyone involved with paradancesport all around the world. Our deepest condolences to her friends and family.❤️” wrote another. “I’m shocked and saddened to hear this - love and condolences to all, and rest in peace, Paula x” commented a third. Images: Facebook

Caring

Tina Turner: an immense talent with a voice and back catalogue that unites disparate music lovers

<a href="https://theconversation.com/profiles/freya-jarman-535397">Freya Jarman</a>, <a href="https://theconversation.com/institutions/university-of-liverpool-1198">University of Liverpool</a> On a few rare occasions (often at the end of a night), I’ve confided to my friends that Tina Turner was one of my biggest celebrity crushes. The revelation has usually been met with some surprise, and not unreasonably. Born in 1939, Tina was older than my mother and nearly 40 years older than me. But to me, she was a complete goddess from the moment I first encountered her. I vividly recall a white button-down shirt and figure-hugging blue jeans (probably the Foreign Affair tour of 1990) and an awakening of teenage desire. Turner has died aged 83. Reflecting now on her 50-year-long career, I can see the threads that made her the perfect icon for the young queer feminist I was in the early 90s. She was a strong and resilient woman who escaped the control of abusive men and went on to forge a stronger solo career afterwards. But her music also pushed boundaries of genre in ways that start to defy categories of gender, race and age, thereby changing the way female performers could be thought of. In 1967, Turner was both the first Black artist and woman to appear on the cover of <a href="https://www.rollingstone.com/music/music-pictures/tina-turner-rolling-stone-covers-916255/">Rolling Stone</a>. She remains the only Black woman to have been inducted twice into the Rock and Roll Hall of Fame. In 2013, she became the oldest person (at 73) to appear on the <a href="https://www.thecut.com/2013/03/tina-turner-oldest-vogue-cover-model.html">cover of Vogue</a>. Vocally, Turner was raised in the church, Spring Hill Baptist Church in Nutbush, specifically. However, her voice was different from the others she came up alongside. Unlike Dionne Warwick, Aretha Franklin or Diana Ross, Turner’s voice had a grit and a rasp, qualities that always added an unexpected edge to her early work. It was also a sound that enabled her to move beyond soul and blues in her solo career. <h2>A genre-fluid singer</h2> Turner’s first solo album (in 1974) was country, replete with steel guitars and talk of the bayou. The very next year, she performed the role of the <a href="https://www.youtube.com/watch?v=2rJGX8uqoL8&ab_channel=StevenPrestidge">Acid Queen</a> in film of The Who’s psychedelic operetta fantasy, Tommy. The role gave its name to an album featuring several notable rock covers by Turner, such as Led Zeppelin’s Whole Lotta Love. Famously, she escaped from an abusive relationship with her singing partner Ike Turner, securing the rights to her stage name to her comparative financial detriment in their divorce settlement in 1978. Ike exerted his dominance in plain sight, slipping verbal threats of violence into <a href="https://youtu.be/FqdhfwUd2lk?t=88">a live performance of I’ve Been Loving You Too Long</a> at a concert in Ghana (1971). From the early 1980s, Turner made what has repeatedly been described as one of the most remarkable career comebacks of the century. The chart success of her cover of Al Green’s <a href="https://www.youtube.com/watch?v=4rFB4nj_GRc&ab_channel=TinaTurner">Let’s Stay Together</a> (1983) came from left of field and the ensuing album, Private Dancer (1984) went platinum five times. <figure><iframe src="https://www.youtube.com/embed/d4QnalIHlVc?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Private Dancer represented another musical turn, this time towards the electro-synth pop world inhabited by Heaven 17, whose Rupert Hine and Martyn Ware produced several of the songs. The title song of the album exemplifies the narrative of Tina as a feminist powerhouse. Even 40 years on, the idea of a woman in her mid-40s singing a pop song about sex work is somewhat surprising. It’s not just an allusion to sex work (like, for instance, Blondie’s Call Me). And it’s far from the many songs about female sex workers written and performed by men (take Roxanne by The Police or Killer Queen by Queen for instance). Private Dancer is an explicit and unambiguous declaration of female desire and power in the first person. If anyone were in any doubt that Beyoncé owes a great deal to Turner’s trailblazing, her video for <a href="https://www.youtube.com/watch?v=pZ12_E5R3qc&ab_channel=Beyonc%C3%A9VEVO">Partition</a> is surely evidence, being a direct descendant of Private Dancer with its cage-dancing sex show. Over her 14 solo albums, Turner developed a remarkable capacity to push through boundaries and exist between categories. Along the way, she also changed how a woman in popular music was positioned for consumption. This magic made her fans in all sorts of music listeners. <h2>A musical uniter</h2> Turner’s musical agility allowed her to inhabit contradictory musical spaces simultaneously. For instance, there is the Tina Turner who makes regular appearances on the setlists of DJs at retro club nights, inspiring inebriated patrons to shake their tail feathers in unison. There is an exuberance here that crosses times and identities to bring a crowd together in the ritual of “rolling on the river”. It’s a song that also invites all shades of <a href="https://www.youtube.com/watch?v=GLUJz5xrdds&ab_channel=ThatRPDRChannel">drag performance to honour it</a>. <figure><iframe src="https://www.youtube.com/embed/GC5E8ie2pdM?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Then there is the Tina Turner who appears – frequently as the only woman, and perhaps uniquely as a Black woman – on compilations targeted at a predominantly male audience. The world of “dad rock” and “driving anthems” is a stronghold of largely white, male baby boomers. Think Robert Palmer, ZZ Top, The Jam and Whitesnake. There alongside them is Turner with songs like The Best, We Don’t Need Another Hero and Nutbush City Limits. Tina Turner’s capacity to transcend these borders of genre, and with them, borders of race, age, and gender, is what made her the absolute legend that she was. To me, it will also always represent a hybridity that calls to my identity as a queer feminist.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206526/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/freya-jarman-535397">Freya Jarman</a>, Reader in the Department of Music, <a href="https://theconversation.com/institutions/university-of-liverpool-1198">University of Liverpool</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/tina-turner-an-immense-talent-with-a-voice-and-back-catalogue-that-unites-disparate-music-lovers-206526">original article</a>.

Music

"What a FIGHTER!": Susan Boyle reveals secret health scare during comeback

Singing sensation Susan Boyle surprised her fans with an unexpected appearance on Britain’s Got Talent for the competition’s extravagant final. Boyle, who had previously appeared on the show herself in 2009, took to the stage with the cast of the West End’s Les Miserables for a performance of the song ‘I Dreamed a Dream’ - the same one she auditioned with when she was a competitor. And fans were treated to one more song, with the ensemble joining Boyle for a rendition of ‘Do You Hear The People Sing?’ too. Once the crowd’s delighted applause had quietened, Britain’s Got Talent hosts Ant and Dec approached Boyle, gushing over her as they welcomed her back to the stage. “It is so lovely to see you,” Dec declared. “It’s hard to believe you appeared on this show in 2009 - fourteen years ago. How does it feel to be back at BGT?” “It feels great,” Susan told him, to further cheering from the audience. She went on to share that the whole affair was “extra special” to her, before revealing that “last April there, I suffered a minor stroke.” The theatre was quiet, everyone taken by surprise, before Boyle announced that she’d “fought like crazy to get back on stage, and I have done it.” As Dec shared that they were “thrilled” to hear of her triumphant return, cheers rang out once again, and applause echoed throughout the room in celebration of Boyle. When judge Simon Cowell - who was present for Boyle’s audition as well - was asked how it felt to see her back on the stage, he noted that it was “unbelievable”. “Susan, we owe you so much,” he said, “and I knew you weren't well, but if anyone was going to come back, you were going to come back, because we wouldn't be the same without you. You are amazing." And when clips from her performance, and following reveal, made it online, fans wasted no time in sharing their love and support for the singer. “Huge huge respect for Susan Boyle,” one wrote. “Post stroke and absolutely smashing it on BGT tonight! Incredible!” “Good for her! Great to see her back!” another said. “Never ever be defined by an illness or disability. Never.” “Aww! Susan Boyle is an absolute superstar in every sense of the word, so humble,” one gushed. “It’s so good to see her back with her microphone!” And as someone else put it, “bless Susan Boyle, she spent her entire life not realising her full potential as a West End singer, to then go on to be one of the biggest stars to come out of #BGT. Her performance tonight had passion; she has real HEART and her having a stroke last year - what a FIGHTER!” <blockquote class="twitter-tweet"> ⭐ STAGEY SMILE OF THE DAY ⭐ Here's Lucie Jones & Susan Boyle performing "I Dreamed A Dream" from Les Misérables, for the BGT grand final 🇫🇷 ✨ X x x <a href="https://t.co/nmIB5eo29c">pic.twitter.com/nmIB5eo29c</a> — Theatre Fan (@ShaunTossell) <a href="https://twitter.com/ShaunTossell/status/1665467122053443586?ref_src=twsrc%5Etfw">June 4, 2023</a></blockquote> Images: Twitter

Caring

A brief history of the mortgage, from its roots in ancient Rome to the English ‘dead pledge’ and its rebirth in America

The average interest rate for a new U.S. <a href="https://www.cbsnews.com/news/home-loan-mortgage-interest-rate-7-percent-highest-since-2001/">30-year fixed-rate mortgage topped 7% in late October 2022</a> for the first time in more than two decades. It’s a sharp increase from one year earlier, when <a href="https://www.valuepenguin.com/mortgages/historical-mortgage-rates">lenders were charging homebuyers only 3.09%</a> for the same kind of loan. Several factors, including <a href="https://www.nerdwallet.com/article/mortgages/fed-mortgage-rates">inflation rates and the general economic outlook</a>, influence mortgage rates. A primary driver of the ongoing upward spiral is the <a href="https://abc7chicago.com/fed-interest-rate-decision-today-hike-federal-reserve-meeting-november/12408055/">Federal Reserve’s series of interest rate hikes</a> intended to tame inflation. Its decision to increase the benchmark rate by <a href="https://www.federalreserve.gov/newsevents/pressreleases/monetary20221102a.htm">0.75 percentage points on Nov. 2, 2022</a>, to as much as 4% will propel the cost of mortgage borrowing even higher. Even if you have had mortgage debt for years, you might be unfamiliar with the history of these loans – a subject I cover <a href="https://scholar.google.com/citations?user=KVv47noAAAAJ&hl=en&oi=ao">in my mortgage financing course</a> for undergraduate business students at Mississippi State University. The term dates back to <a href="https://www.english-heritage.org.uk/learn/story-of-england/medieval/">medieval England</a>. But the roots of these legal contracts, in which land is pledged for a debt and will become the property of the lender if the loan is not repaid, go back thousands of years. <h2>Ancient roots</h2> Historians trace the <a href="https://www.kingjamesbibleonline.org/Nehemiah-5-3/">origins of mortgage contracts</a> to the reign of King Artaxerxes of Persia, who ruled modern-day Iran in the fifth century B.C. The Roman Empire formalized and documented the legal process of pledging collateral for a loan. Often using the <a href="https://www.biblegateway.com/passage/?search=John%202%3A13-16&version=NIV">forum and temples as their base of operations</a>, mensarii, which is derived from the word mensa or “bank” in Latin, would set up loans and charge <a href="https://www.biblegateway.com/passage/?search=John%202%3A13-16&version=NIV">borrowers interest</a>. These government-appointed public bankers required the borrower to put up collateral, whether real estate or personal property, and their agreement regarding the use of the collateral would be handled in one of three ways. First, the <a href="https://www.merriam-webster.com/dictionary/fiducia">Fiducia</a>, Latin for “trust” or “confidence,” required the transfer of both ownership and possession to lenders until the debt was repaid in full. Ironically, this arrangement involved no trust at all. Second, the <a href="https://www.merriam-webster.com/dictionary/pignus">Pignus</a>, Latin for “pawn,” allowed borrowers to retain ownership while <a href="https://scholarship.law.upenn.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=1684&context=penn_law_review">sacrificing possession and use</a> until they repaid their debts. Finally, the <a href="https://legaldictionary.lawin.org/hypotheca/">Hypotheca</a>, Latin for “pledge,” let borrowers retain both ownership and possession while repaying debts. <h2>The living-versus-dead pledge</h2> <a href="https://www.britannica.com/biography/Claudius-Roman-emperor">Emperor Claudius</a> brought Roman law and customs to Britain in A.D. 43. Over the next <a href="https://www.english-heritage.org.uk/learn/story-of-england/romans/">four centuries of Roman rule</a> and the <a href="https://www.english-heritage.org.uk/learn/story-of-england/early-medieval/">subsequent 600 years known as the Dark Ages</a>, the British adopted another Latin term for a pledge of security or collateral for loans: <a href="https://worldofdictionary.com/dict/latin-english/meaning/vadium">Vadium</a>. If given as collateral for a loan, real estate could be offered as “<a href="https://www.merriam-webster.com/dictionary/vadium%20vivum">Vivum Vadium</a>.” The literal translation of this term is “living pledge.” Land would be temporarily pledged to the lender who used it to generate income to pay off the debt. Once the lender had collected enough income to cover the debt and some interest, the land would revert back to the borrower. With the alternative, the “<a href="https://www.merriam-webster.com/dictionary/mortuum%20vadium">Mortuum Vadium</a>” or “dead pledge,” land was pledged to the lender until the borrower could fully repay the debt. It was, essentially, an interest-only loan with full principal payment from the borrower required at a future date. When the lender demanded repayment, the borrower had to pay off the loan or lose the land. Lenders would keep proceeds from the land, be it income from farming, selling timber or renting the property for housing. In effect, the land was <a href="https://www.jstor.org/stable/pdf/1321129.pdf">dead to the debtor</a> during the term of the loan because it provided no benefit to the borrower. Following <a href="https://www.royal.uk/william-the-conqueror">William the Conqueror’s victory</a> at the Battle of Hastings in 1066, the English language was heavily influenced by <a href="https://blocs.mesvilaweb.cat/subirats/the-norman-conquest-the-influence-of-french-on-the-english-language-loans-and-calques/">Norman French</a> – William’s language. That is how the Latin term “Mortuum Vadium” morphed into “Mort Gage,” Norman French for “dead” and “pledge.” “<a href="https://www.etymonline.com/word/mortgage">Mortgage</a>,” a <a href="https://ia600201.us.archive.org/1/items/cu31924021674399/cu31924021674399.pdf">mashup of the two words</a>, then entered the English vocabulary. <h2>Establishing rights of borrowers</h2> Unlike today’s mortgages, which are usually due within 15 or 30 years, English loans in the 11th-16th centuries were unpredictable. <a href="https://www.jstor.org/stable/pdf/1323192.pdf">Lenders could demand repayment</a> at any time. If borrowers couldn’t comply, lenders could seek a court order, and the land would be forfeited by the borrower to the lender. Unhappy borrowers could <a href="https://www.law.cornell.edu/wex/chancery">petition the king</a> regarding their predicament. He could refer the case to the lord chancellor, who could <a href="https://www.britannica.com/topic/Chancery-Division">rule as he saw fit</a>. <a href="https://www.britannica.com/biography/Francis-Bacon-Viscount-Saint-Alban">Sir Francis Bacon</a>, England’s lord chancellor from 1618 to 1621, <a href="https://www.jstor.org/stable/752041">established</a> the <a href="https://www.law.cornell.edu/wex/equity_of_redemption">Equitable Right of Redemption</a>. This new right allowed borrowers to pay off debts, even after default. The official end of the period to redeem the property was called <a href="https://www.law.cornell.edu/wex/foreclosure">foreclosure</a>, which is derived from an Old French word that means “<a href="https://www.etymonline.com/word/foreclose">to shut out</a>.” Today, foreclosure is a legal process in which lenders to take possession of property used as collateral for a loan. <h2>Early US housing history</h2> The <a href="https://www.loc.gov/classroom-materials/united-states-history-primary-source-timeline/colonial-settlement-1600-1763/overview/">English colonization</a> of what’s now <a href="https://themayflowersociety.org/history/the-mayflower-compact/">the United States</a> didn’t immediately transplant mortgages across the pond. But eventually, U.S. financial institutions were offering mortgages. <a href="https://www.huduser.gov/publications/pdf/us_evolution.pdf">Before 1930, they were small</a> – generally amounting to at most half of a home’s market value. These loans were generally short-term, maturing in under 10 years, with payments due only twice a year. Borrowers either paid nothing toward the principal at all or made a few such payments before maturity. Borrowers would have to refinance loans if they couldn’t pay them off. <h2>Rescuing the housing market</h2> Once America fell into the <a href="https://www.history.com/topics/great-depression">Great Depression</a>, the <a href="https://www.stlouisfed.org/news-releases/2008/05/02/does-the-great-depression-hold-the-answers-for-the-current-mortgage-distress">banking system collapsed</a>. With most homeowners unable to pay off or refinance their mortgages, the <a href="https://www.federalreservehistory.org/essays/great-depression">housing market crumbled</a>. The number of <a href="https://www.encyclopedia.com/education/news-and-education-magazines/housing-1929-1941">foreclosures grew to over 1,000 per day by 1933</a>, and housing prices fell precipitously. The <a href="https://www.fhfaoig.gov/Content/Files/History%20of%20the%20Government%20Sponsored%20Enterprises.pdf">federal government responded by establishing</a> new agencies to stabilize the housing market. They included the <a href="https://www.hud.gov/program_offices/housing/fhahistory">Federal Housing Administration</a>. It provides <a href="https://www.consumerfinance.gov/ask-cfpb/what-is-mortgage-insurance-and-how-does-it-work-en-1953/">mortgage insurance</a> – borrowers pay a small fee to protect lenders in the case of default. Another new agency, the <a href="https://sf.freddiemac.com/articles/insights/why-americas-homebuyers-communities-rely-on-the-30-year-fixed-rate-mortgage">Home Owners’ Loan Corp.</a>, established in 1933, bought defaulted short-term, semiannual, interest-only mortgages and transformed them into new long-term loans lasting 15 years. Payments were monthly and self-amortizing – covering both principal and interest. They were also fixed-rate, remaining steady for the life of the mortgage. Initially they skewed more heavily toward interest and later defrayed more principal. The corporation made new loans for three years, tending to them until it <a href="https://content.time.com/time/subscriber/article/0,33009,858135,00.html">closed in 1951</a>. It pioneered long-term mortgages in the U.S. In 1938 Congress established the Federal National Mortgage Association, better known as <a href="https://www.fanniemae.com/about-us/who-we-are/history">Fannie Mae</a>. This <a href="https://www.financial-dictionary.info/terms/government-sponsored-enterprise/">government-sponsored enterprise</a> made fixed-rate long-term mortgage loans viable <a href="https://www.investopedia.com/terms/s/securitization.asp">through a process called securitization</a> – selling debt to investors and using the proceeds to purchase these long-term mortgage loans from banks. This process reduced risks for banks and encouraged long-term mortgage lending. <h2>Fixed- versus adjustable-rate mortgages</h2> After World War II, Congress authorized the Federal Housing Administration to insure <a href="https://www.govinfo.gov/content/pkg/CPRT-108HPRT92629/html/CPRT-108HPRT92629.htm">30-year loans on new construction</a> and, a few years later, purchases of existing homes. But then, the <a href="https://files.stlouisfed.org/files/htdocs/publications/review/69/09/Historical_Sep1969.pdf">credit crunch of 1966</a> and the years of high inflation that followed made adjustable-rate mortgages more popular. Known as ARMs, these mortgages have stable rates for only a few years. Typically, the initial rate is significantly lower than it would be for 15- or 30-year fixed-rate mortgages. Once that initial period ends, <a href="https://www.investopedia.com/terms/a/arm.asp">interest rates on ARMs</a> get adjusted up or down annually – along with monthly payments to lenders. Unlike the rest of the world, where ARMs prevail, Americans still prefer the <a href="https://sf.freddiemac.com/articles/insights/why-americas-homebuyers-communities-rely-on-the-30-year-fixed-rate-mortgage">30-year fixed-rate mortgage</a>. About <a href="https://data.census.gov/cedsci/table?q=DP04&t=Housing">61% of American homeowners</a> have mortgages today – with <a href="https://doi.org/10.1080/15214842.2020.1757357">fixed rates the dominant type</a>. But as interest rates rise, demand for <a href="https://www.corelogic.com/intelligence/interest-rates-are-up-but-arm-backed-home-purchases-are-way-up/">ARMs is growing</a> again. If the Federal Reserve fails to slow inflation and interest rates continue to climb, unfortunately for some ARM borrowers, the term “dead pledge” may live up to its name. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/a-brief-history-of-the-mortgage-from-its-roots-in-ancient-rome-to-the-english-dead-pledge-and-its-rebirth-in-america-193005" target="_blank" rel="noopener">The Conversation</a>.

Real Estate

“Incredibly gifted”: Homeless man stuns with piano talents

A homeless man who sleeps in his car has amazed onlookers with his “incredible” piano talent. Shane has been taking to the piano every day and night in a pedestrian tunnel underneath the Queensland Performing Arts Centre in South Brisbane. The “incredibly gifted” man has drawn attention from listeners for his musical talents, despite never having any lessons, and never owning a piano. “I was just walking past and had to stop, absolutely amazing - it blows me away to be honest,” a man walking past told <a href="https://www.instagram.com/reel/Crsn-qCp-Ue/?utm_source=ig_web_copy_link">7News</a>. “One of the best piano players I have ever seen,” another onlooker said. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/Crsn-qCp-Ue/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/Crsn-qCp-Ue/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by 7NEWS Queensland (@7newsqueensland)</a> </div> </blockquote> Shane said playing the piano has a therapeutic effect on him, and helps him escape his harsh reality of living in his car a few streets away from the theatre. “It takes me to a place out of reality, away from beyond whatever is around us. I can hear an orchestra in my head, the piano plays me rather than I play the piano,” he said. Shane doesn't know how to read music, or know any of the names of the keys, but couldn’t help being drawn to the instrument that is available for public use. After hearing the sound of a piano coming from a local ballet school in the area when he was a child, he has been enamoured by the piano and dreams of performing with others one day. Shane’s talents have gone viral online, with commenters being “gobsmacked” over the man’s “beautiful music”. “Wow! So incredibly gifted. I hope he gets his dream of playing with others,” one impressed viewer said. “We need more stories like this. What a remarkable man,” another wrote. “I hope someone can help this man, he needs a job in a restaurant playing nice music and getting well paid so he can rent a place to live and a happy life,” a third said. Image credits: 7News

Music

Britain’s Got Talent burned by 334 complaints after "insensitive" stunt

Warning: This article contains content that some readers may find disturbing. Britain’s Got Talent is in hot water with its 16th season after the second episode drew in a staggering 334 complaints - a total of 400 across both episodes, Ofcom reported. The stunt that caused the ire, dubbed “insensitive” and “unacceptable” by the public, saw a professional stuntman named Thomas Vu cover himself in a fire-retardant gel, before he was set alight and left to solve a Rubik’s Cube. In the wake of the stunt, hosts Ant and Dec were quick to issue a warning to viewers, telling them “do not try this at home, ever.” And when the clip was uploaded to the official BGT Twitter account, the text ‘do not try this at home’ is splashed across the video. However, distressed viewers still took to the comments section to share their distaste, with one writing that it was “absolutely ridiculous and irresponsible [and] should never have been allowed to be televised especially on a family programme!!” <blockquote class="twitter-tweet"> Stuntman Thomas Vu solved the Rubik's cube in the most UNEXPECTED way: <a href="https://t.co/nSEWOokCSb">https://t.co/nSEWOokCSb</a> Do not try this at home!<a href="https://twitter.com/hashtag/BGT?src=hash&ref_src=twsrc%5Etfw">#BGT</a> <a href="https://t.co/awPLBTmaEf">pic.twitter.com/awPLBTmaEf</a> — BGT (@BGT) <a href="https://twitter.com/BGT/status/1649110690987376642?ref_src=twsrc%5Etfw">April 20, 2023</a></blockquote> “BGT totally ill-considered showing a guy setting himself on fire whilst solving a Rubik’s Cube,” tweeted another. “No thought to the fact that impressionable children watch the show.” “Don’t get me wrong,” one began, “people do crazy stuff and it’s their choice and that’s fine by me but maybe that last act should have been well after the 9pm watershed?? Not sure that kind of playing with fire thing is suitable for young kids who probably stay up to watch BGT.” “Like what has BGT come to when we set people on fire for entertainment,” someone else said on the matter. And as yet another user put it, “sorry but showing a man setting himself on fire on a ‘family’ show is not acceptable. Even with the mention ‘do not try this at home’.” Concern for children continued from there, with one tweeting “The Rubik’s Cube fire stunt on BGT was totally inappropriate. Did you not think about burn victims and how seeing this would affect them?” Meanwhile, others simply found the stunt to be insensitive, with one even referencing the 1965 Bradford City disaster when they wrote “I just find this insensitive to anyone that has been through any trauma caused by fire.” Criticism for the episode was so intense, coupled with the volume of complaints flowing in, that the show was forced to issue a statement, telling viewers “Britain’s Got Talent showcases a mix of variety acts to engage audiences. “In this case, it was made very clear on screen that this act should not be tried at home and the programme was subject to strict compliance rules." Images: Britain’s Got Talent / ITV

Body

"We got in trouble a lot": Fergie spills all on Princess Diana arrest

Sarah Ferguson has opened up about the time she and the late Princess Diana got themselves arrested in 1986. The pair were celebrating at a nightclub when they were arrested for impersonating law enforcement officers. The two had decided to dress up as police for Fergie’s bachelorette party, unaware that they were setting themselves on a path to trouble in an event described by Royal Expert Tom Quinn as a “riot”. Speaking to The Sun, Fergie claimed that once authorities came to the realisation that she and Diana were actually royals, it wasn’t long before they were released. And while appearing on The Kelly Clarkson Show, she expanded on the tale, outlining exactly how the two had gotten themselves into such a situation in the first place. “It was extraordinary,” the 63-year-old Duchess of York said, “because we went to a nightclub, of course, you go to a nightclub with the Princess of Wales. “We sat down, and the waiter came up to us and said ‘excuse me, this is a members club. It’s for fun, and we don’t serve police officers here’." “They thought you were real police officers?" host Kelly Clarkson exclaimed. Fergie confirmed the detail with a confident "yes!" She explained that once they had been arrested and ushered into the police van, they opted to hide their engagement rings. Fergie went on to recall that Diana had been told off for eating some chips - “smoky bacon-flavoured” she’d found in the vehicle. Their brief encounter with the law didn’t ruin their fun though, with the party continuing on into Annabel’s nightclub - an establishment known to be one of the world’s most exclusive. And their fun reportedly wasn’t limited to their own celebration, with Town and Country Magazine claiming that the two got up to some more mischief when they decided to lock Andrew out of Buckingham Palace after his bachelor party. Their fun kept the two close over the course of their friendship, and Fergie has admitted that she carries Diana everywhere she goes, telling Kelly, “she’s with me all day”. “She and I, we laughed a lot,” Fergie reminisced, “we got into trouble a lot. “You know what she used to do? She used to tell me the worst story, joke story, just before I had to be serious." Although, despite her admiration for Diana’s sense of humour - and her belief that Diana would be “incredibly proud” of her grandchildren - Fergie did once share on Good Morning America that if the two had had the chance to go head-to-head as grandmothers, she believed they’d “have a ‘Granny-off’. Because she would run faster in the races, I wonder … she’d probably be funnier. No, I think I’d be funnier.” Images: Getty

Relationships

5 things the latest season of The Crown got right and 3 things that were inaccurate

<h2>Separating fact from fiction</h2> Season 5 of The Crown finally aired on Netflix after two years of waiting. The first season of The Crown aired in 2016, telling the story of all the major players in the royal family trees starting just before Queen Elizabeth II’s ascension to the throne. Every season since has covered roughly a decade or so in the lives of the royals. The new season of The Crown takes place between 1991 and 1997 and sees Charles and Diana nearing the end of their tumultuous marriage, securing their position as global tabloid fodder. (And, as season five points out, coverage of their lives would often blur the line between journalism and salacious gossip.) Despite the fact that there was so much real-life royal drama during this time, there are elements of The Crown that are not based on real events – so much so that Netflix added a disclaimer when releasing the trailer for this season that stated, ‘Inspired by real events, this fictional dramatisation tells the story of Queen Elizabeth II and the political and personal events that shaped her reign.’ It can be confusing to parse fact from fiction. Here’s a fact check of The Crown season five to help understand what’s real and what’s not. <h2>Here’s what was actually true in The Crown – and what wasn’t</h2> Most of the historical events that have appeared on The Crown are based on true events. Let’s start with a few things that definitely happened. <div> </div> <h2>Truth: Martin Bashir did use false evidence to convince Princess Diana to appear on Panorama</h2> On The Crown Season 5 Episode 7, BBC journalist Martin Bashir (played by Prasanna Puwanarajah) is shown fabricating fake bank statements to convince Charles Spencer and his sister, Princess Diana (Elizabeth Debicki), into believing that members of their trusted teams were being paid off by British intelligence services for information about them. In turn, Bashir played into their fears and earned Diana’s trust enough to convince her to appear on his TV show, Panorama, giving one of the most explosive interviews of the decade. In 2020, an independent inquiry did find Bashir guilty of wrongdoing, and the BBC apologised to Charles Spencer for Bashir’s deception. <h2>Truth: Prince Philip was a world-class carriage driver</h2> Season 5 Episode 2 is when we learn of Prince Philip’s obsession with carriage driving. In fact, Philip (played by actor Jonathan Pryce) was not just a hobbyist in the sport, but he competed internationally as a member of the British Diving Team. He also wrote several books and served as the president of the Fédération Équestre Internationale. <h2>Truth: Windsor Castle sustained massive fire damage in 1992</h2> In Season 5 Episode 4, Queen Elizabeth (Imelda Staunton) referred to 1992 as an “annus horribilis,” or, a horrible year. It was the year that marked the separation of Charles and Diana as well as Prince Andrew and Sarah Ferguson. Adding to the heartbreak, 1992 was also the year that Windsor Castle caught fire when a spotlight ignited a curtain, destroying dozens of rooms and several priceless works of art. <h2>Truth: Mohamed Al-Fayed hired the Duke of Windsor’s former valet, Sydney Johnson, to work for him</h2> In Season 5 Episode 3, we are introduced to Mohamed Al-Fayed (Salim Daw), the Egyptian businessman who would build up an empire that included the Ritz Hotel in Paris and Harrods Department Store in London. As the show depicts, Al-Fayed was a lifelong Anglophile and did meet and hire Sydney Johnson, a Bahamian man who previously spent three decades as Edward, Duke of Windsor’s valet after Edward abdicated the throne. Johnson began working for Al-Fayed in 1977, five years after Edward passed away. After Edward’s wife, Wallis Simpson died, Al-Fayed purchased their Paris estate and, along with Johnson, helped restore it. With regard to the end of this episode, when Mohamed Al-Fayed met Princess Diana, while we’re not sure if they really did bond instantly at a polo match, it’s true that the two became friends years before Diana began dating Mohamed’s son, Dodi Al-Fayed. Dodi would later die in the 1997 car crash that also took Diana’s life. <h2>Truth: tampongate really did happen</h2> In 1989, when Charles and Camilla’s affair was not yet public, the two engaged in a phone conversation where Charles compared himself to a tampon. The conversation was later released to the public in 1993 after Diana and Charles separated. <h2>And now for a few things that appear on The Crown season 5 that didn’t actually happen… Fiction: The Sunday Times poll</h2> Throughout the season, Prince Charles (Dominic West) is seen as a man who is ready for new responsibilities. Specifically, the responsibility of being king. In Episode 1, a poll revealing that half the British population thinks that his ageing mother Queen Elizabeth, should abdicate her role is published in the Sunday Times, and Charles takes that as a sign that he should start preparing himself to be king. He even goes so far as to meet with Prime Minister John Major (Jonny Lee Miller) to seek his support. But, none of that happened. There was no such poll published in 1991 by the Sunday Times, and no such conversation between Major and the Prince of Wales. In fact, Major is one of this season’s biggest detractors. He has called the series “a barrel-load of nonsense.” <h2>Fiction: Prince Philip and Penny Knatchbull’s affair</h2> It’s true that Prince Philip and his godson’s wife, Penny Knatchbull, were both invested in the sport of carriage driving, and it is also true that their friendship was fodder for speculation that there was something more to it. But alas, there is no concrete evidence that Prince Philip engaged in an affair with Penny. <h2>Fiction: Diana warning the queen about her Panorama interview</h2> Everyone involved in Princess Diana’s Panorama interview knew it was a giant risk to let the estranged princess speak so candidly on the most revered broadcasting network in the country. While it’s true that Marmaduke Hussey, then-chairman of the BBC, felt that it was a disgrace to air the interview, the queen herself was not actually given a heads-up by Diana before the inflammatory program aired in 1995. The conversation between Diana and the queen was pure fabrication, confirmed by Patrick Jephson, Diana’s press secretary at the time. While it can be confusing parsing out what The Crown gets wrong about the royal family and what the show gets right, season 5 remains as engrossing as ever thanks to its excelling writing and cast. What we do know for sure is that season six, which tackles the final months of Diana’s life and the years after, can’t come soon enough. This article originally appeared on <a href="https://www.readersdigest.com.au/culture/5-things-the-latest-season-of-the-crown-got-right-and-3-things-that-were-inaccurate" target="_blank" rel="noopener">Reader's Digest</a>. Image: Netflix

You've got to be yoking! Easy boiled egg hack that actually works

The not so enjoyable part of the holiday season, the food prep. Everybody would agree that one of the most messy and time-consuming chores is de-yolking hard boiled eggs. If devilled eggs are on the menu this one is for you. TikTok user, US based woman Andrea VanDerweker demonstrates her hot tips to extracting the hard-boiled egg yolk perfectly. She uses her knife to gently cut the perimeter of the egg, like you would with an avocado. <blockquote class="tiktok-embed" style="max-width: 605px; min-width: 325px;" cite="https://www.tiktok.com/@andrealanev/video/7166718280185417006" data-video-id="7166718280185417006"> <section><a title="@andrealanev" href="https://www.tiktok.com/@andrealanev?refer=embed" target="_blank" rel="noopener">@andrealanev</a> I’m just now figuring this out after almost 30 years on this spinning rock? <a title="♬ original sound - Andrea VanDerwerker" href="https://www.tiktok.com/music/original-sound-7166718301282994990?refer=embed" target="_blank" rel="noopener">♬ original sound - Andrea VanDerwerker</a></section> </blockquote> With the knife, she pulls the egg along the cutting board and the egg yolk just pops right out with no messy residue left on the inside of the egg-whites. "Hey, if you guys all knew about cutting hard boiled eggs like this, and you didn't tell me, we're gonna have some serious beef," she joked as she shared the tip. The simple and very effective technique has left viewers stunned. "$22,000 for culinary school and THEY DIDN'T TEACH ME THIS," read one of the many comments. Make sure you try this throughout the holiday season and let us know if it really works! Image: TikTok

Food & Wine

Junior staff are finding better contracts, senior staff are burning out: the arts are losing the war for talent

In 1997, consulting firm McKinsey & Company coined the term “<a href="https://www.fastcompany.com/34512/war-talent">the war for talent</a>” to define increasing labour shortages that had significant potential to impact organisational performance. The war for talent significantly impacted corporations at the time, creating a scarcity mindset and encouraging a wave of employee-focussed initiatives designed to attract and retain staff. For the most part, the arts and cultural sector have been sheltered from the war for talent over past decades. Global growth in creative oriented higher education coupled with the “<a href="https://blogs.lse.ac.uk/lsereviewofbooks/2016/04/26/book-review-be-creative-making-a-living-in-the-new-culture-industries-by-angela-mcrobbie/">romance of being creative</a>” has led to a steady stream of workers willing to enter the sector on low pay. However, in 2022 things have changed. Faced with labour shortages, arts and cultural organisations increasingly find it challenging to operate. In 2021, it was reported screen productions in Australia were <a href="https://www.abc.net.au/news/2021-09-24/high-demand-creates-film-skill-shortage/100479392">being jeopardised</a> due to lack of technical skills. Now, summer festivals are <a href="https://www.theguardian.com/music/2022/nov/07/will-australias-festivals-survive-a-wet-chaotic-expensive-summer">struggling to find</a> frontline workers, including security, stage crew, ticketing and transport. It’s not just entry-level positions that remain empty. After <a href="https://www.theguardian.com/culture/2021/may/11/australias-culture-of-ideas-suffers-when-we-starve-our-creative-institutions-of-funding">a decade</a> of funding cuts and policy neglect, followed by the stresses induced by COVID-19, I am observing arts leaders leaving to find secure, better paid and sustainable work elsewhere. In Australia’s increasingly tight labour market, the arts are finally facing a war for talent. <h2>A culture of burnout</h2> If we consider the role of the “arts manager”, it becomes easy to recognise why arts leaders are abandoning the industry. Arts leaders do not just support the creation of art. They are marketers, customer service specialists, supply chain and logistics experts, grant writers, human resources managers and – increasingly – risk managers. They are trying to bring back audiences post-COVID while juggling a contentious funding landscape that balances the need for revenue with audience, staff and artist <a href="https://overland.org.au/2021/09/the-arts-in-australia-need-to-break-up-with-fossil-fuels/">expectations</a> arts organisations do not partner with corporations that fail to align with organisational values. I am increasingly seeing young people leaving arts jobs for opportunities that recognise their skills and provide secure, better paid work. Art workers are highly valuable in today’s economy where creativity and innovation are seen as <a href="https://australiacouncil.gov.au/news/speeches-and-opinions/creative-skills-in-times-of-crisis-how-the-arts-can-help/">keys to success</a>. This lack of younger workers increases the workloads of senior staff, causing them to be burnt out and leave the sector, too. Staff shortages jeopardise the sector’s ability to get back on its feet after the brutal impact of COVID-19. Those that remain in our arts companies are exhausted, left trying to rebuild programs and audiences with fewer resources. While “<a href="https://theconversation.com/quiet-quitting-why-doing-less-at-work-could-be-good-for-you-and-your-employer-188617">quiet quitting</a>” gets media airtime, others in the sector are asking arts workers to embrace the mantra of “<a href="https://larsenkeys.com.au/2022/09/26/post-covid-or-post-burnout-less-is-necessary/">less is necessary</a>”. Individuals need to take action to address their wellbeing. Still, it is also necessary to consider the systems and structures that underpin our arts organisations and how they impact workers. <h2>Structural issues</h2> One way to address the war for talent is to increase the labour supply. Higher education providers who develop creative talent are lobbying for more resources to expand programs and are pushing for changes to the Job Ready graduate scheme that <a href="https://theconversation.com/the-inequity-of-job-ready-graduates-for-students-must-be-brought-to-a-quick-end-heres-how-183808">imposes higher costs</a> on arts and humanities graduates. The latest <a href="https://www.aare.edu.au/blog/?p=14754">Graduate Outcome Survey</a> shows that the employment outcomes of creative arts and arts and humanities graduates have increased over 20% since 2019. The high rates of graduate employability aligns with Australia’s historically low unemployment rate, but also demonstrates the value creative skills now hold in the broader economy. What these positive statistics do not tell us, however, is the working conditions of those employed. The arts are the original gig economy. Of the over 80% of arts and humanities graduates employed six months after graduation, how many earn a living wage? How many work in the arts? How many recent creative arts graduates are juggling multiple short-term contracts simultaneously to build skills, grow networks and cope with cost of living increases? As Australia’s labour market tightens, arts workers are realising they can take their skills to better paid jobs with secure contracts, in fields such as health, technology and management consulting. Unless arts organisations respond by providing similar security and career paths, the departure of talented workers will only continue. This loss of staff will not only impact the ability of organisations to operate today, but will also influence the make-up of arts organisations in the future. When only those who can afford to work under precarious conditions remain, the ability of the sector to attract and retain leaders from diverse communities <a href="https://www.artshub.com.au/news/features/how-do-we-stop-losing-artists-from-the-sector-2578669/">decreases</a>. <h2>Decent work</h2> Arts leaders eagerly await the launch of a new <a href="https://theconversation.com/a-new-national-cultural-policy-is-an-opportunity-for-a-radical-rethinking-of-the-importance-of-culture-in-australia-188720">National Cultural Policy</a>, hoping for significant change in how the arts are valued. Yet arts organisations need to also get their own house in order. Sustainable arts careers mean <a href="https://theconversation.com/the-crisis-of-a-career-in-culture-why-sustaining-a-livelihood-in-the-arts-is-so-hard-171732">decent work</a>. This means structural changes in how arts workers are employed, a shift away from the reliance on volunteers and <a href="https://www.smh.com.au/culture/art-and-design/why-is-a-major-sydney-arts-festival-working-with-google-to-offer-an-unpaid-internship-20220516-p5als1.html">incorrect appointment of unpaid interns</a>, low-wage casual or fixed-term roles to more secure and fairly paid employment. Many in the sector are championing change. The National Association for the Visual Arts is campaigning to <a href="https://visualarts.net.au/news-opinion/2022/recognise-artists-workers/">recognise artists as workers</a>, highlighting the need for an award to support this group that often falls under the industrial relations radar. The music sector has made similar calls for minimum wages for artists, <a href="https://www.theage.com.au/national/victoria/paying-musicians-a-minimum-wage-would-kill-live-music-tote-owner-20220923-p5bkgw.html">yet face critics</a>. The pandemic showed us how important the arts are to our lives. For the arts to continue to play a vital role in our national identity and represent our diverse communities, the sector must be funded appropriately. It is also essential organisations create safe, secure and viable jobs for arts workers. If the industry can only exist by systematically exploiting workers, then the war for talent will be lost. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/junior-staff-are-finding-better-contracts-senior-staff-are-burning-out-the-arts-are-losing-the-war-for-talent-194174" target="_blank" rel="noopener">The Conversation</a>.

Art

How a man used a cancer diagnosis to explore his artistic talents

A 70-year-old has spent seven years discovering his artistic talents, after a shock cancer diagnosis forced him into early retirement. Michael Kiely, from the NSW central west, found his love of painting when he was 63, despite struggling to keep the brush steady after living with Parkinson’s disease for 20 years. He didn’t let his ailments stop him, instead using art as a form of therapy to come to terms with his health issues. After a second cancer diagnosis in which he was given just three months to live, the former farmer decided he needed to host an art exhibition. The exhibition, which has been cheekily called <a href="https://www.mykidscoulddothat.com/shop">My Kids Could Do That</a>, will be held in Sydney’s Circular Quay on October 30th. He told <a href="https://www.dailymail.co.uk/femail/real-life/article-11334375/Artist-reveals-turned-art-stage-four-cancer-diagnosis.html">Daily Mail Australia</a>, “I paint every day - if I stop it feels like I am going to explode, but I still feel like a fraud.” “I am amazed when regular people come up to me and tell me they like my paintings. It means more than when they say it, because regular people can't afford to buy them unless they do like them,” he said. As Michael came to terms with his illness, by spending time on his artworks, he was able to embrace his life-long love of creativity. “I hadn't painted since I was nine years old. But when I got cancer (the first time) and my wife and I decided I should retire I started again,” he said. “When it is working for you then painting is like breathing. When it isn't, it is frustrating - but I find you can only come back to a work a few times before you lose it, then it is for the bin,” he said. Now fulfilling his dream of putting on an exhibition, Michael is focusing on how lucky he feels to be alive to see it. Thanks to experimental immunology, it's been three years since his devastating three-month diagnosis. “He spent two years doing the treatments, and saw his oncologist recently who is really impressed with how things are,” Michael’s daughter Jessica said. While Michael admits he doesn’t understand much about art, including what makes artists popular, he hopes his unique style will strike a chord. “Do yourself and an old man a favour, buy my art before I die. I want to see these pieces going home with people. And just think, as soon as I cark it, they all become limited editions,” he said. Image credits: Supplied

Art

Seven times people discovered the Americas – and how they got there

When Columbus landed in 1492, the Americas had been settled for tens of thousands of years. He wasn’t the first person to discover the continent. Instead, his discovery was the last of many discoveries. In all, people found the Americas at least seven different times. For at least six of those, it wasn’t so new after all. The discoverers came by sea and by land, bringing new genes, new languages, new technologies. Some stayed, explored, and built empires. Others went home, and left few hints they’d ever been there. From last to first, here’s the story of how we discovered the Americas. 7. Christopher Columbus: AD 1492 In 1492, Europeans could reach Asia by the <a href="https://education.nationalgeographic.org/resource/silk-road">Silk Road</a>, or by sailing the Cape Route around the southern tip of Africa. Sailing west from Europe was thought to be impossible. The ancient Greeks had accurately calculated that the circumference of the Earth was <a href="https://www.nature.com/articles/152473a0">40,000 km</a>, which put Asia far to the west. But Columbus botched his calculations. An error in unit conversion gave him a circumference of just 30,000 km. This mistake, with other assumptions born of wishful thinking, gave a distance of just <a href="https://www.tandfonline.com/doi/abs/10.1080/0025570X.1992.11996024">4,500 km</a> from Europe to Japan. The actual distance is almost 20,000 kilometres. So Columbus’s ships set sail without enough supplies to reach Asia. Fortunately for him, he hit the Americas. Columbus, thinking he’d found the East Indies, called its people “Indios”, or Indians. He ultimately died without realising his mistake. It was the navigator Amerigo Vespucci who realised Columbus had <a href="https://www.livescience.com/42510-amerigo-vespucci.html">found an unknown land</a> and in 1507 the name America was applied in Vespucci’s honour. 6. Polynesians: AD 1,200 Around 2,500 BC, a seafaring people <a href="https://www.nature.com/articles/s41586-021-03902-8">sailed from Taiwan</a> to find new lands. They sailed south through the Philippines, east through Melanesia, then out into the vast South Pacific. These people, the <a href="https://www.britannica.com/place/Polynesia">Polynesians</a>, were master navigators, reading wind, waves and stars to cross thousands of kilometres of open ocean. Using huge double canoes, the Polynesians <a href="https://www.worldhistory.org/article/1586/polynesian-navigation--settlement-of-the-pacific/">settled</a> Samoa, Fiji, Tonga, and the Cook Islands. Some went <a href="https://www.pnas.org/doi/full/10.1073/pnas.1408491111">south to New Zealand</a>, becoming <a href="https://link.springer.com/article/10.1007/s10963-017-9110-y">the Maori</a>. Others went east to Tahiti, Hawaii, Easter Island, and the Marquesas. From here, they at last hit South America. Then, having explored most of the Pacific, they gave up exploration and forgot South America entirely. But evidence of this remarkable voyage remained. The South Americans acquired <a href="https://www.pnas.org/doi/abs/10.1073/pnas.0703993104">chickens from Polynesians</a>, while the Polynesians may have picked up <a href="https://www.sciencedirect.com/science/article/pii/S0305440307000805">South American sweet potatoes</a>. And they shared more than food. Eastern Polynesians have <a href="https://www.nature.com/articles/s41586-020-2487-2?from=article_link">Native American DNA</a>. Polynesians didn’t just meet Native Americans, they married them. 5. Norse: AD 1,021 According to Viking sagas, around AD 980, <a href="https://www.britannica.com/biography/Erik-the-Red">Eric the Red</a>, fierce Viking and cunning salesman, named a vast, icy wasteland “Greenland” to <a href="https://www.nationalgeographic.com/science/article/iceland-greenland-name-swap">entice people to move there</a>. Then, in AD 986, a boat from Greenland <a href="https://www.thecanadianencyclopedia.ca/en/article/icelanders">spotted the coast of Canada</a>. Around <a href="https://www.nature.com/articles/s41586-021-03972-8">AD 1,021</a>, Erik’s son Leif established a settlement in Newfoundland. The Vikings struggled with the harsh climate, before war with Native Americans ultimately forced them back to Greenland. These stories were long dismissed as myths, until 1960, when archaeologists dug up the remains of <a href="https://www.newfoundlandlabrador.com/top-destinations/lanse-aux-meadows">Viking settlements in Newfoundland</a>. 4. Inuit: AD 900 Just before the Vikings, the Inuit people travelled <a href="https://www.nature.com/articles/s41586-019-1251-y">from Siberia to Alaska</a> in skin boats. Hunting whales and seals, living in sod huts and igloos, they were well adapted to the cold Arctic Ocean, and skirted its shores all the way to Greenland. Curiously, their DNA is <a href="https://www.nature.com/articles/s41586-019-1251-y">closest to native Alaskans</a>, implying their ancestors colonised Asia from Alaska, then went back to discover the Americas again. 3. Eskimo-Aleut: 2,000-2,500 BC The Inuit descend from an earlier migration: that of speakers of the <a href="https://www.britannica.com/topic/Eskimo-Aleut-languages">Eskimo-Aleut languages</a>. These are distinct from other Native American languages, and might even be distantly related to Uralic languages such as <a href="https://compass.onlinelibrary.wiley.com/doi/pdfdirect/10.1111/j.1749-818X.2010.00239.x">Finnish and Hungarian</a>. This, with DNA evidence, suggests the Eskimo-Aleut was a distinct migration. They came across the <a href="https://www.britannica.com/place/Bering-Sea">Bering Sea</a> from present-day Russia to Alaska, perhaps <a href="https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1525/aa.1987.89.1.02a00020">4,000-4,500</a> years ago, partly displacing and mixing with earlier migrants: the Na-Dene people. 2. Na-Dene: 3,000-8,000 BC Another group, the Na-Dene, crossed the Bering Sea to Alaska around <a href="https://www.nature.com/articles/s41586-019-1251-y">5,000 years ago</a>, although other studies suggest they settled the Americas as long as <a href="https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1525/aa.1987.89.1.02a00020">10,000 years ago</a>. <a href="https://www.nature.com/articles/s41586-019-1251-y">DNA from their bones</a> links them not to modern people in the Eskimo-Aleut group, but to Native Americans speaking the Na-Dene language family, such as the <a href="https://www.navajo-nsn.gov/">Navajo</a>, <a href="https://denenation.com/">Dene</a>, <a href="https://www.amnh.org/exhibitions/permanent/northwest-coast/tlingit">Tlingit</a>, and Apache people. Na-Dene languages are closest to languages <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC25007/">spoken in Siberia</a>, suggesting again that they represent a distinct migration. 1. First Americans: 16,000-35,000 years ago Almost all Native American tribes – Sioux, Comanche, Iroquois, Cherokee, Aztec, Maya, Quechua, Yanomani, and dozens of others – speak <a href="https://www.britannica.com/topic/American-Indian-languages">similar languages</a>. That suggests their languages evolved from a common ancestor tongue, spoken by a single tribe entering the Americas long ago. Their descendants’ low genetic diversity suggests this founding tribe was small, maybe <a href="https://journals.plos.org/plosbiology/article?id=10.1371/journal.pbio.0030193">less than 80 people</a>. How did they get there? Before the last ice age ended 11,700 years ago, so much water was <a href="https://www.jstor.org/stable/3083538">locked up in glaciers</a> that sea levels fell. The bottom of the Bering Sea dried out, creating the <a href="https://www.pnas.org/doi/10.1073/pnas.1705966114">Bering Land Bridge</a>. America’s first people just walked from Russia to Alaska. But the timing of their migration is controversial. Archaeologists once thought the <a href="https://www.britannica.com/topic/Clovis-complex">Clovis people</a>, living <a href="https://www.pnas.org/doi/epdf/10.1073/pnas.0704215104">13,000 years ago</a>, were the <a href="https://www.smithsonianmag.com/history/the-clovis-point-and-the-discovery-of-americas-first-culture-3825828/">first settlers of America</a>. But evidence <a href="https://www.nature.com/articles/d41586-020-02137-3">now suggests</a> humans arrived in the Americas much earlier. Finds in <a href="https://www.science.org/doi/pdf/10.1126/science.1207663?casa_token=i79Z6iFCPuwAAAAA:onB6l4Ih9BSvJY9a6rTuKDjv9pD1_EEaPJlwmjsk1qVgjDcqotjX2jlmzXMg-Kh1fqxMMXLhUeMvIw">Washington</a>, <a href="https://www.science.org/doi/10.1126/sciadv.aba6404">Oregon</a>, <a href="https://www.science.org/doi/10.1126/science.1201855">Texas</a>, the <a href="https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=1026&context=sciaa_staffpub">east coast of the US</a>, and <a href="https://www.science.org/doi/pdf/10.1126/sciadv.1600375">Florida</a> suggest people reached the Americas long before the Clovis people. <a href="https://www.science.org/doi/10.1126/science.abg7586">Footprints in New Mexico</a> date to 23,000 years ago. <a href="https://www.nature.com/articles/s41586-020-2509-0">Stone tools</a> in a Mexican cave may date to 32,000 years ago. A <a href="https://www.frontiersin.org/articles/10.3389/fevo.2022.903795/full">butchered mammoth</a> from Colorado dates to 31,000-38,000 years ago. And traces of fire put <a href="https://www.sciencedirect.com/science/article/pii/S0277379118307716">humans in Alaska</a> 32,000 years ago. Some of these dates could be incorrect, but with each new discovery it seems increasingly unlikely that they’re all wrong. An early migration would neatly solve a major mystery. 13,000 years ago, a vast glacier, the <a href="https://www.pnas.org/doi/full/10.1073/pnas.1601077113">Laurentide Ice Sheet</a>, buried Canada in ice up to three kilometres thick. If people arrived in North America then, how did they cross the ice? Southeast Alaska’s rugged coast, full of glaciers and fjords, was likely impassible, and early Americans probably lacked boats. But 30,000 years ago, the ice sheet hadn’t fully formed. Before the ice spread, people could have hunted mammoths and horses east from Alaska into the Northwest Territories, then south through Alberta and Saskatchewan into Montana. Remarkably, humans may have settled the Americas <a href="https://www.nature.com/articles/s41598-021-94408-w">before western Europe</a>. Yet that might make sense. Alaska’s Arctic is harsh, but Europe had <a href="https://onlinelibrary.wiley.com/doi/full/10.1111/j.1365-2699.2011.02536.x">potentially hostile Neanderthals</a>. <h2>The end of discovery</h2> 1492 was the last discovery of the Americas. Following the voyages of Columbus, Magellan, and Cook, the scattered descendants of humanity’s diaspora were finally reunited. Aside from a few <a href="https://www.bbc.com/future/article/20140804-sad-truth-of-uncontacted-tribes">uncontacted tribes</a>, everywhere was known to everyone. Discovery was impossible. But the story of the Americas’ settlement is still being written, and our understanding is evolving. The Eskimo-Aleut may have been <a href="https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1525/aa.1987.89.1.02a00020">two different migrations</a>, not one. Genes <a href="https://www.nature.com/articles/nature14895">hint at the possibility</a> of other, early founding populations. And given how little evidence the Polynesians and Norse left of their visits, it’s conceivable there were other migrations, ones of which we have little evidence. There’s so much we don’t know. No one can discover the Americas anymore, but there’s a lot left to discover about their discovery. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/seven-times-people-discovered-the-americas-and-how-they-got-there-188908" target="_blank" rel="noopener">The Conversation</a>.

Travel Tips

“A pain in the a***”: Security expert reveals why woman posing as Prince Andrew’s fiancée got past security

A woman claiming to be Prince Andrew’s fiancée was able to get past security because staff were too “terrified” to check with the royal according to a specialist detective. The Spanish woman claimed to be Irene Windsor and was due to have dinner with the Duke of York when she arrived at the security gate of the Royal Lodge in Winsdor last April, and was allowed in without her identification checked. Her cab fare was even paid for by security officers, with her cover eventually blown when she entered the building and a suspicious staff member alerted police - but not before she walked around the grounds for up to 40 minutes. Philip Grindell, the founder of VIP security firm Defuse and a former specialist detective with the Met Police, has now claimed that staff were reluctant to check the woman’s story with Prince Andrew because of his reputation. Grindell, who was responsible for planning and running security measures for high-profile events that included those with royals and the military, made the claims while speaking at the International Security Expo in London, describing the royal as an “unpleasant character”. "Prince Andrew is a pain in the a*** and if you have ever worked with him, is an unpleasant character and the security were terrified of asking him 'is anyone turning up?'” Grindell said. "And because they did not want to upset him, no one asked and they assumed he must have an appointment and let her in. "The security were terrified of asking him." Paul Page, a former Met Police royal protection officer, separately shared a similar account about working with the controversial royal. "When I heard this it became blatantly obvious that the security involved were in the same position with Prince Andrew as I was 20 years ago, in that they were too frightened to question unidentified female visitors as it would always end in him abusing us for stopping them,” he said at the expo. "This is a classic example of what we feared would happen one day." At the time, the woman was found with maps of the Royal Lodge and other royal residences, as well as a self-defence key ring with two sharp prongs. She was arrested on suspicion of burglary before being sectioned under the Mental Health Act and eventually released without charge. Image: Getty Images

Legal

Woman got so drunk she forgot she bought a house

A UK woman’s recent purchase of a home came as a surprise, after she confessed she was so drunk when she placed a bid that she forgot about it. Luana Ribeira, 40, told the <a href="https://www.dailystar.co.uk/news/latest-news/woman-drunk-work-forgot-bidding-28046594" target="_blank" rel="noopener">Daily Star</a> that she had gone with a friend to see the house, which was up for auction, before her surprisingly rambunctious night. “I went to see a house with a friend as it was on auction, but my friend didn’t want it as it was in a rough area,” she explained. “I liked the property and thought it could be really lovely and a good investment. “So, I went to the nightclub where I worked, stayed afterwards and got very drunk.” After finishing her night shift, the founder of Dauntless PR remembered how “one drink turned to two”, which then turned into drinking games before the rest became a blur. The next day, her then-boyfriend informed her that she got home at 8.30am, insisted on calling the real estate agent, putting an offer on the house and going to bed. “I woke up hungover and my boyfriend at the time was very annoyed, and was giving me the silent treatment,” she recalled. She was then informed that her offer of £20,000 ($NZ 37,000) was successful. Though it may have been made under unusual circumstances, Ms Ribeira’s decision to place a bid proved to be fruitful. After 12 months, she sold the home for double what she paid and used it to purchase another. Ms Ribeira then made £20,000 on the second home, going on to earn another £20,000 on a third, and using her earnings to start a new life and business in Portugal. Image: @launadauntlesspr (Instagram)

Real Estate

Novak Djokovic refused entry to America ahead of the US Open

Novak Djokovic has confirmed he won't be competing in the US Open after he has been refused entry to America over his vaccination status. The Serbian tennis champ announced the news on Twitter, and wished his fellow players luck in the competition. "Sadly, I will not be able to travel to NY this time for US Open,' Djokovic tweeted Thursday ahead of the US Open draw. "Thank you #NoleFam for your messages of love and support. Good luck to my fellow players! I'll keep in good shape and positive spirit and wait for an opportunity to compete again. See you soon tennis world!" The three-time US Open winner had hoped to enter the tournament, provided the US government changed its policy for unvaccinated visitors. The US Tennis Association previously said it would adhere to such a change by allowing Djokovic to play if he were permitted in the US. After beating Nick Kyrgios in the Wimbledon final on July 10, Djokovic said he "would love" to participate in the last Grand Slam tournament of the year at Flushing Meadows, but he also acknowledged, "I'm not planning to get vaccinated." Djokovic had been updating his followers on social media as he attempted to gain entry to the US, but his hopes were dashed ahead of the draw. Officials did stress that he will be welcome to play at the US Open in 2023. "Novak is a great champion and it is very unfortunate that he will be unable to compete at the 2022 US Open, as he is unable to enter the country due to the federal government's vaccination policy for non-US citizens," tournament director Stacey Allaster said in a statement. "We look forward to welcoming Novak back at the 2023 US Open." Image credits: Getty Images

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David Walliams' explosive new claims against BGT bosses

David Walliams sues BGT over leaked rant

What does having a ‘good relationship with food’ mean? 4 ways to know if you’ve got one

Tony Bennett: the timeless visionary who, with a nod to America’s musical heritage, embraced the future

Got no COVID-19 symptoms? A gene mutation might be the reason

“Devastated”: Britain's Got Talent star dies at 52

Tina Turner: an immense talent with a voice and back catalogue that unites disparate music lovers

"What a FIGHTER!": Susan Boyle reveals secret health scare during comeback

A brief history of the mortgage, from its roots in ancient Rome to the English ‘dead pledge’ and its rebirth in America

“Incredibly gifted”: Homeless man stuns with piano talents

Britain’s Got Talent burned by 334 complaints after "insensitive" stunt

"We got in trouble a lot": Fergie spills all on Princess Diana arrest

5 things the latest season of The Crown got right and 3 things that were inaccurate

You've got to be yoking! Easy boiled egg hack that actually works

Junior staff are finding better contracts, senior staff are burning out: the arts are losing the war for talent

How a man used a cancer diagnosis to explore his artistic talents

Seven times people discovered the Americas – and how they got there

“A pain in the a***”: Security expert reveals why woman posing as Prince Andrew’s fiancée got past security

Woman got so drunk she forgot she bought a house

Novak Djokovic refused entry to America ahead of the US Open

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Catalogues

Travel

Health

Lifestyle

Finance

Entertainment

Property

Information

Keep up to date

Search

David Walliams' explosive new claims against BGT bosses

David Walliams sues BGT over leaked rant

What does having a ‘good relationship with food’ mean? 4 ways to know if you’ve got one

Tony Bennett: the timeless visionary who, with a nod to America’s musical heritage, embraced the future

Got no COVID-19 symptoms? A gene mutation might be the reason

“Devastated”: Britain's Got Talent star dies at 52

Tina Turner: an immense talent with a voice and back catalogue that unites disparate music lovers

"What a FIGHTER!": Susan Boyle reveals secret health scare during comeback

A brief history of the mortgage, from its roots in ancient Rome to the English ‘dead pledge’ and its rebirth in America

“Incredibly gifted”: Homeless man stuns with piano talents

Britain’s Got Talent burned by 334 complaints after "insensitive" stunt

"We got in trouble a lot": Fergie spills all on Princess Diana arrest

5 things the latest season of The Crown got right and 3 things that were inaccurate

You've got to be yoking! Easy boiled egg hack that actually works

Junior staff are finding better contracts, senior staff are burning out: the arts are losing the war for talent

How a man used a cancer diagnosis to explore his artistic talents

Seven times people discovered the Americas – and how they got there

“A pain in the a***”: Security expert reveals why woman posing as Prince Andrew’s fiancée got past security

Woman got so drunk she forgot she bought a house

Novak Djokovic refused entry to America ahead of the US Open

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